hémorroïde + 666 = musique de trou du cul
Raw Materials of Decay | Hemorrhoid
▻https://hemorrhoid666.bandcamp.com/album/raw-materials-of-decay
#grindcore ▻https://bandcamp.com/discover/grindcore
hémorroïde + 666 = musique de trou du cul
Raw Materials of Decay | Hemorrhoid
▻https://hemorrhoid666.bandcamp.com/album/raw-materials-of-decay
Einer Für Alle demo | Exorbitant Prices Must Diminish
▻https://exorbitantpricesmustdiminish.bandcamp.com/album/einer-f-r-alle-demo-3
Louis Witter / Twitter
C’est marrant Paris quand même ▻https://t.co/PfDNVReZXq
▻https://video.twimg.com/ext_tw_video/1641499578397491200/pu/vid/720x1280/PK_k_e6FvZ9JmH2G.mp4?tag=12
Exorbitant Prices Must Diminish live at DTR studio (2022 - #Grindcore)
The Legend of Powerviolence Crew Despise You | #Bandcamp_Daily
▻https://daily.bandcamp.com/features/despise-you-feature
The song is 30 seconds long, a minute at most. The drums are a blast of kick and snare; the guitars and bass blend together in a rumbling, noisy blur; the vocals are a raw-throated cry of rage. Is it #grindcore or is it #powerviolence? The two subgenres have much in common, and yet, for those whose ears are attuned to minute differences in subgenre, the distinction is clear.
▻https://dischargeofficialmusic.bandcamp.com/track/state-violence-state-control
RESISTANT CULTURE «BENEATH THE CONCRETE»
▻https://www.youtube.com/watch?v=tdFMTAl0Q9k
Welcome to Reality par Resistant Culture
▻https://resistantculture.bandcamp.com/album/welcome-to-reality-2
Preparations for Human Disposal | Gravesend
▻https://warforgravesend.bandcamp.com/album/preparations-for-human-disposal
▻https://www.stygianblackhand.com
From the bowels of New York City emerges a new odious force known as GRAVESEND, delivering an absolutely punishing assault at the crossroads of #black_metal and #grindcore, as rude and unforgiving as the city that bore them. Released in early June 2020, “Preparations for Human Disposal” represents a harsh aural manifesto of urban disgust in 8 tracks on master tape format.
Season of Mist - Venomous Concept
▻https://www.season-of-mist.com/bands/venomous-concept
If the state of today’s society is reflected in music, hardcore punk / grindcore veterans VENOMOUS CONCEPT have returned to the stage with a fitting soundtrack. The band’s fourth full-length frontal assault, ‘Politics Versus The Erection’ manifests a no-nonsense and outspoken voice, resonating with the chaos that reigns over the world today.
Starting out in 2004, the band was conceived as something like a grind punk supergroup – if that term can even be applied to a bunch of people with clear counterculture preferences. The name was chosen to pay homage to the legendary POISON IDEA.
▻https://venomousconcept.bandcamp.com/album/politics-versus-the-erection
Jeff Dahl & Poison Idea - « Open Your Eyes » (1992) Stiv Bators tribute
▻https://www.youtube.com/watch?time_continue=2&v=FS-Z2VNkkmU&feature=emb_logo
Visceral Collapse is an extension of Venomous Concept in where the members get to explore other extremes that at that point in time may not fit into the Venomous Concept mould...
Terrifyer par Pig Destroyer
►https://pigdestroyer.bandcamp.com
Pig Destroyer’s frighteningly compelling mix of #metal, , #thrash and punk rock seethes with an intensity that will unnerve the unprepared. Pig Destroyer’s deranged, vicious attack envelops the listener in a cocoon of grisly #nihilism.
▻https://pigdestroyer.bandcamp.com/album/terrifyer
Where to Begin With Grindcore Laureates Pig Destroyer
▻https://daily.bandcamp.com/lists/pig-destroyer-guide
#grindcore
New Directions in Grindcore | Bandcamp Daily
▻https://daily.bandcamp.com/lists/new-grindcore-list
Grindcore was born from anarcho-punk before it was subsumed into metal and, though this isn’t true across the subgenre, progressive politics are often still very important to some of its biggest practitioners, like Napalm Death. The music itself—a punker-than-punk chaotic din that wowed radio tastemaker John Peel, giving it a flash of mainstream notoriety in the U.K.—was inspired by a wide spectrum of underground sounds, from no wave to thrash to art rock. A number of the scene’s earliest names, no more than kids when they made grindcore’s foundational recordings, quickly branched off into the deepest reaches of electronic music, dub, you name it.
Those listeners who were inspired by these sounds took note, and the 1990s onwards saw grind infusing free jazz (John Zorn’s Naked City and Painkiller ensembles), transformed by drum machines (Agoraphobic Nosebleed and their thousand “cybergrind” imitators), twisted into futurist pop by noiseniks like Melt-Banana, and streamlined into hyper-technical, bullet hell blasts by Discordance Axis (and later Gridlink), to name but a few.
Three decades on from the release of Napalm Death’s landmark albums Scum and From Enslavement to Obliteration, there are plenty of artists—from road-calloused touring units to bedroom producers—taking the basic loud-fast-rules framework of blast beats, noisy riffs, and screamed vocals to exciting new places. Here are nine we love.
Concerts en Belgique & ailleurs
►http://www.aredje.net/agenda/agendarb.php
#Napalm_Death pour 6 dates en France dont une à l’espace autogéré des tanneries à Dijon pour 10 balles. 2 jours plus tard, un dimanche, à Rennes.
▻https://malokadistro.com/index.php
VENOMOUS CONCEPT (Kevin Sharp et Dan Lilker [ex-BRUTAL TRUTH], Shane Embury et Danny Herrera [NAPALM DEATH] et John Cook [CORRUPT MORAL ALTAR]
▻https://venomousconcept.bandcamp.com
▻https://venomousconcept-ipecac.bandcamp.com
▻https://seasonofmist.bandcamp.com
▻https://www.youtube.com/watch?v=W8z0ynOxulI
Napalm Death - suffer the children
▻https://www.youtube.com/watch?time_continue=210&v=K9o33gocD50
▻https://karlrecords.bandcamp.com/track/parish-of-tama-ossuary-dub
When PAINKILLER started in 1991, their first two albums “Guts Of A Virgin” and “Buried Secrets” (both released on extreme metal label Earache) were heavy attacks blending #grindcore and #free_jazz that brought together the musical backgrounds of the three protagonists: drummer Mick Harris had just left grindcore legend Napalm death, John Zorn explored new extremities with his NAKED CITY project while Bill Laswell had as a member of roaring free jazz quartet Last exit (Peter Brotzmann, Sonny Sharrock, Ronald Shannon Jackson) proven that he was not only a visionary producer but also an accomplished bassist. But it is their 1994 double album “Execution Ground” that remains the opus magnum of the brilliant trio: ZORN’s unmistakable shrieking saxophone, HARRIS’ pounding drums and LASWELL’s growling sub-bass lines were given heavy mixing desk treatment, resulting in extended tracks that are no less intense than their early works but display the full range of the musicians’ skills. Soaked with reverb and delay, avant-jazz, grindcore, dub and ambient melt into eerie tracks of haunting atmospheres.
#Painkiller #Bandcamp
source : ▻https://daily.bandcamp.com/2018/03/12/new-grindcore-list
Ze Grands Gamins
▻http://www.zegrandsgamins.ch/zegrandsgamins.php
Pour bien comprendre qui sont Henri Dès & Ze Grands Gamins : imaginez Georges Brassens accompagné par les Sex Pistols, Charles Trenet avec Metallica, ou Jacques Prévert et Slayer.
▻https://www.youtube.com/watch?time_continue=44&v=nN4ZxpJpH-Y
Merci @james pour cette chouette explosion de caca !!!
Dans la même veine trois guedins talentueux, Ultra Vomit.
▻https://www.youtube.com/watch?v=UM6Zzc-Jzx4
Bunch of Kunst - Sleaford Mods: Die wütendste Band Englands | ARTE MEDIATHEK | ARTE
▻http://www.arte.tv/de/videos/075202-000-A/bunch-of-kunst
Ce « road-movie » à travers la Grande-Bretagne raconte l’histoire de ce duo de rappeurs (blancs) au flow rageur. Les Sleaford Mods aiment brocarder le parti conservateur, tirer à vue sur les mirages de la célébrité ou raconter par le menu la vie en bas de l’échelle sociale. Ce duo s’inscrit dans la tapageuse lignée des grandes gueules anglaises, de Johnny Rotten à The Streets.
▻https://www.youtube.com/watch?v=Vc_6SCpTtjU&list=RDVc_6SCpTtjU#t=72
Je les mettrais plus volontiers sous punks que rap.
@vanderling
Ils étaient en concert à Rennes @unagi le 22 mai dernier. Je n’y étais pas, trop fatigué, c’était un lundi. Voici une courte interview après leur balance de 15 mn à la salle Ubu.
▻http://rennesmusique.com/sleaford-mods
Je rajoute : #hip_hop #Working_class_heroes #punchlines #groupe_prolétaire
- Tu es fan de la culture punk des Sex Pistols, du Wu-Tang Clan. Le son de Sleaford Mods en est logiquement très influencé. Ce sont deux références importantes pour toi. Il y en a d’autres ?
– Oh oui beaucoup d’autres. J’ajouterais Two Lone Swordsmen, The Jam. J’écoute beaucoup de hip-hop, de folk, de guitare acoustique. J’écoute vraiment de tout mais on est quand même sur un mélange de punk et de hip-hop.
je connais pas les premiers par contre The Jam, en effet ça tombe sous le sens.
Merci @vanderling Two lone swordsmen je connaissais le nom mais sans pouvoir mettre quelque chose dessus, voilà.
Je viens de découvrir que IceT est maintenent en groupe Metal « Body Count » @vanderling
Je ne connaissais pas Death Grips @unagi je n’aime pas trop Giving Bad People (la video n’est pas terrible) la seconde me plaît mieux, mais je dois écouter plusieurs fois avant de rentrer dedans. Je note Death Grips dans ma liste de recherche à la médiathèque. Où j’ai emprunté le Bloodlust de Body Count, ah il est bien, ouais bien bien, plus accessible à mon goût (un peu bourrin quoi !) .
Oui la video est bien pourrit... Merci pour Unsane. @vanderling
Mais je me marre bien
@vanderling
Comment n’avoir pas pensé au breakcore.. That is the question.
je sais pas @unagi je viens d’épingler une chouette prestation de Black Sabbath sur Tumblr, je m’en lasserai jamais.
All girl band from Memphis who happened to be Alex Chilton’s protégés; primal, loose rock’n’roll à la Chilton/Dickinson/Tav Falco in a wild and primitive No Wave/DIY punk style … Whether you like Charlie Feathers or Kleenex, The Cramps or Lydia Lunch, you will adore the Klitz, the unadulterated sound of the Memphis underground !
▻https://www.munsterama.com/site/index.php?mode=spot&skuid=32111
du côté des filles #The_Klitz découvert par et elles sont sur Bandcamp.
▻https://theklitz.bandcamp.com/track/chameleon
Tu vas passer pour le dernier de romantiques.@vanderling
Pour Black Sabbath, j’ai une éducation à refaire, a l’époque j’accrochais pas du tout au genre et maintenant c’est un peu trop proche du rock pour moi.
▻https://www.youtube.com/watch?v=lk2-bgwA0Ro
Napalm death, je viens de les rater à Berlin... Un label japonas, tout les albums sont sous cc et téléchargeables gratuitement.
« Grindcore karaoké » ▻http://grindcorekaraoke.com
Tu pourrais aller faire un tour en indonésie et métal.Ca rigole pas.
merci @unagi je regarderai et écouterai ça de plus près + tard
vu les noms et le visuel de ton lien #grindcore_xtreme, ça promet.
▻https://nnnco.bandcamp.com/album/no-nazi-noise
Originally released as a cd-r+zine compilation. Over an hour of music with half-page sized booklet containing artists’ writings about their experiences with right-wing racism in the noise scene.
More than a dozen international artists in the genres of harsh noise, glitch, improv, digital hardcore, and more opposing bigotry, fascism, homophobia, misogyny, and prejudice in noise.
Release of the compilation was commemorated with a huge release show including almost a dozen performers as well as a week-long East Coast US tour featuring Dormant Conscience, Black Bloc, and Cincinnatus C.
Curated by NNNCoalition co-founder RJ Myato.
ça n’a plus rien à voir avec « Sleaford Mods » j’ai trouvé ce bandcamp sur je ne sais plus quel site qui mentionnait aussi celui de grindcorekaraoke.com